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Sangmin Oh Illuminates Upcycled Industrial Fiber in Knitted Lighting Sculptures

21 Nov, 2024

This post was originally published on Colossal

Sprouting like coral or fungi, Sangmin Oh’s biologically-inspired lighting designs and furnishings merge form and function. Based between The Netherlands and South Korea, the designer (previously) is fascinated by the interplay of material, aesthetics, and sustainability.

Oh’s sculptural pieces revolve around the use of textiles to create knitted or woven shades for lamps and other objects. In a new project titled SOIL TO SOUL, he and a team of studio assistants have assembled an installation using Heracron brand aramid yarn—a type of lightweight and strong polymer fiber that is resistant to the effects of heat, abrasion, and chemicals.

an installation of mushroom-like, abstract lighting fixtures made from woven material
Installation view of ‘SOIL TO SOUL’

Aramid yarn is often used in bulletproof vests, heat-protective clothing, and as coverings for optical cables. Oh utilizes scraps of the material discarded by the manufacturer, turning to 3D knitting technology to reimagine colorful, textural pieces of fabric.

“The functional narrative of Heracron aligns with that of mushroom, which protects and sustains the earth,” Oh says of the works in SOIL TO SOUL. “Its hair-like strands mirror the skein of mycelial threads. Inspired by this similarity, the shape and pattern of the knitted fabric were designed to reflect these qualities.”

Oh’s work is currently on view in Seoul at RE;CODE, a brand focused on upcycling, where pieces like a sprawling, fungi-inspired floor lamp comprise the illuminated window installation. See more on his website and Instagram.

a sculptural form made from woven fabric
Woven fabric for ‘SOIL TO SOUL’
an abstract pink light made from stiff woven textile
“Pink Dendrogyra Mutant”
an installation of mushroom-like, abstract lighting fixtures made from woven material, viewed in daylight
Installation view of ‘SOIL TO SOUL’
an installation of abstract lighting fixtures made from woven material
Installation view of ‘SOIL TO SOUL’
a detail of yellow woven fabric
Detail of fabric used in ‘SOIL TO SOUL’
“Acropora”
woven strips of fabric hanging from a wire, used to for light shades
Woven fabrics for ‘SOIL TO SOUL’

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Land water loss causes sea level rise in 21st century

Land water loss causes sea level rise in 21st century

An international team of scientists, led jointly by The University of Melbourne and Seoul National University, has found global water storage on land has plummeted since the start of the 21st century, overtaking glacier melt as the leading cause of sea level rise and measurably shifting the Earth’s pole of rotation.

Published in Science, the research combined global soil moisture data estimated by the European Centre for Medium-Range Weather Forecast (ECMWF) Reanalysis v5 (ERA5), global mean sea level measurements and observations of Earth’s pole movement in order to estimate changes in terrestrial (land) water storage (TWS) from 1979 to 2016.

“The study raises critical questions about the main drivers of declining water storage on land and whether global lands will continue to become drier,” University of Melbourne author Professor Dongryeol Ryu said.

“Water constantly cycles between land and oceans, but the current rate of water loss from land is outpacing its replenishment. This is potentially irreversible because it’s unlikely this trend will reverse if global temperatures and evaporative demand continue to rise at their current rates. Without substantial changes in climate patterns, the imbalance in the water cycle is likely to persist, leading to a net loss of water from land to oceans over time.”

Between 2000 and 2002, soil moisture decreased by around 1614 gigatonnes (1 Gt equals 1 km3 of water) — nearly double Greenland’s ice loss of about 900 Gt in 2002–2006. From 2003 to 2016, soil moisture depletion continued, with an additional 1009 Gt lost.

Soil moisture had not recovered as of 2021, with little likelihood of recovery under present climate conditions. The authors say this decline is corroborated by independent observations of global mean sea level rise (~4.4 mm) and Earth’s polar shift (~45 cm in 2003–2012).

Water loss was most pronounced across East and Central Asia, Central Africa, and North and South America. In Australia, the growing depletion has impacted parts of Western Australia and south-eastern Australia, including western Victoria, although the Northern Territory and Queensland saw a small replenishment of soil moisture.

Image credit: iStock.com/ZU_09

In Vivid Reliquaries, Stan Squirewell Layers Anonymous Portraits and Patterned Textiles

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Through intimate, mixed-media collages, Stan Squirewell excavates the stories of those who might otherwise be lost in anonymity.
Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article In Vivid Reliquaries, Stan Squirewell Layers Anonymous Portraits and Patterned Textiles appeared first on Colossal.

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