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Uneasy Interactions Signify a Response to Tragedy in Jinjoo Jo’s Blue Illustrations

12 Mar, 2025

This post was originally published on Colossal

Treading the boundary between cuteness and discomfort—innocence and harm—South Korean artist Jinjoo Jo’s illustrations express the tenuous relationship humans conjure with nature and a personal response to a widely publicized tragedy.

Blue Anger, a series Jo began in 2020, portrays young girls interacting with insects, which are unsettlingly large and imposing. “I have always loved nature, but in this series, I chose to use insects as a metaphor for predators,” she says. “The young girls in the illustrations stare straight ahead as insects endlessly swarm around them. At times, I see myself as a passive witness to their suffering; at other times, I step into the artwork and become one of them.”

a blue, black, and white illustration of a young woman with a black headband in her hair, holding a caterpillar in her hand and peering closely at it

Most of the works seen here belong to Blue Anger, which continues to evolve. Rendered in black, white, and a cerulean blue hue, the first piece was made in direct response to the so-caled Nth Room case, a horrific cybersex crime that took place between 2018 and 2020. “At the time, I was overwhelmed by anger and despair,” the artist tells Colossal. “The case involved the sexual exploitation of at least 70 underage victims, who were subjected to abuse both online and offline.”

Blue Anger serves as a way to process the energy-draining emotion, in a sense creating a kind of tribute to the young people who were victimized. Recent works diverge from the theme of insect-as-predator, reverting control to the young girls who instead commune in a pond with a larger-than-life moth or coexist in an illuminated space with fluttering insects drawn to the light.

Jo primarily employs colored pencils and graphite, occasionally incorporating black ballpoint pens for darker details. She then scans her drawings in order to complete them digitally using Procreate and Photoshop.

Jo has been working for several years on a graphic novel related to ongoing scientific research, which is currently in pre-production. She has also been working on an essay detailing her experiences of pregnancy, which she hopes to eventually compile into a small book. Find more on the artist’s website and Instagram.

a blue-and-black illustration of a young figure's face, with her hand on her cheek and a praying mantis near her forehead
a blue-and-black illustration of a beetle with human eyes on its shell, on a decorative background
a blue, white, and black illustration of a tiny young girl seated on a lily pad, holding up a string that is wrapped around a moth that is twice her size
a black, white, and blue illustration of a young woman standing over a mushroom that glows with moths flying around it
a blue, black, and white illustration of a young woman calmly looking at the viewer with her head in her hands, with three millipedes moving around her face and hands
a blue, black, and white illustration of a young woman with chin-length hair, who has a black tarantula on her cheek

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Uneasy Interactions Signify a Response to Tragedy in Jinjoo Jo’s Blue Illustrations appeared first on Colossal.

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Urban 'placemaking' focus for $85m recreation centre

Urban 'placemaking' focus for $85m recreation centre

Sydney developer Billbergia Group has announced the Rhodes Recreation Centre — an $85 million, 9200 m2 multi-purpose community hub in Sydney’s Inner West.

Located at 6 Gauthorpe St and designed by architectural firm SJB, the recreation centre is in a three-level podium building beneath two high-rise residential towers — the 48-level Peake and 43-level Oasis. Together, they form stage two of the developer’s Rhodes Central Masterplan — a $3 billion, three-stage town centre project.

The Rhodes Recreation Centre was delivered under a $97 million Voluntary Planning Agreement (VPA) between the developer and City of Canada Bay Council. It will be handed over to council next month and is set to open later this year. Once complete, the masterplan will have delivered 25,000 m2 of dedicated public amenity, including retail, community facilities and open space.

With the NSW Government’s housing reforms set to address the housing shortage, the recreation centre will reflect the importance of ‘placemaking’ — a collaborative approach to designing and managing public spaces that enhances community wellbeing and fosters connections between people and their environment — in planning new urban communities.

It also presents a pathway for public and private sectors to collaborate and create social infrastructure while increasing housing supply in fast-growing suburbs.

The recreation centre is set to add vibrancy and pedestrian activity to the local streetscape, providing a diverse range of facilities that enhance the livability of the evolving suburb. These community amenities include two full-sized indoor sports courts, a gymnastics centre, a 70-place childcare centre, a community lounge, allied health services, and bookable spaces for local groups and events. It also provides a gym with cardio equipment, weights, group fitness rooms, a creche and an outdoor terrace, alongside a range of sustainability features.

Facilities at the Rhodes Recreation Centre. Images supplied.

“Rhodes Recreation Centre is the community heart of our high-density TOD development, bringing to life Billbergia’s vision for a future-focused, livable urban environment that prioritises amenity, not just density,” said Saul Moran, Development Director – Planning and Design at Billbergia.

The amenities within the two residential towers include a swimming pool, spa, sauna, children’s play area, library and theatre rooms. Pedestrian connections and through-site links provide access to Rhodes railway station and the Homebush Bay waterfront.

“The Rhodes Recreation Centre stands as a benchmark in successful public–private collaboration. Through a VPA with Canada Bay Council, we’ve created a pathway to unlock additional housing supply while delivering significant, lasting community infrastructure. It’s a clear demonstration of how thoughtful public and private partnerships can shape vibrant, livable neighbourhoods,” Moran said.

Located adjacent to Rhodes railway station, stage one of Billbergia’s Rhodes Central Masterplan was completed in 2021 and included the 13,000 m2 Rhodes Central Shopping Centre, with convenience retail, a Woolworths supermarket, medical facilities and the Bamboo Lane dining precinct.

Other previous projects include the 1.2 ha Phoenix Park in Rhodes, the $63 million Bennelong Bridge, the popular Baylink Shuttle service, the 3500 m2 Wentworth Point Community Centre and Library, and the Wentworth Point Pop-Up Town Square.

Billbergia’s ongoing focus on placemaking and social infrastructure also includes the $8.4 million delivery of a library at its mixed-tenure development, Arncliffe Central, in Sydney’s south. There is the potential for 75% of Arncliffe Central’s dwellings to be dedicated to social, affordable and essential worker rental housing, along with 3400 m2 allocated to childcare, convenience retail and cafes, and a 4000 m2 park with play space for both residents and the broader community.

Top image caption: The Rhodes Recreation Centre location with two planned residential towers, Peake and Oasis. Image supplied.

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