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Our Favorite Stories of 2024

14 Dec, 2024

This post was originally published on Colossal

As we look back at the hundreds of remarkable initiatives, artworks, discoveries, and events we’ve chronicled throughout 2024, we’re continually awed by the creative work we’re able to write about everyday. It’s a privilege to be able to share so much creativity with you, and we thought we’d compile a list of our favorites.

Below, you’ll find eight picks—two from each of us—that showcase just a few of the remarkable projects we published over the past twelve months. Many of these articles impart deeper context, delve into personal experiences through interviews, and highlight important stories that may have flown under the radar.

You might also enjoy our readers’ choice top articles of the year and Colossal’s favorite books of 2024. Happy reading!

—Christopher, Grace, Kate, and Jackie

Image © Irina Werning

Jackie’s Pick: In ‘Las Pelilargas,’ Irina Werning Celebrates the Impeccably Long Hair of Latin American Women and Girls

For the last 17 years, Irina Werning has traveled throughout Latin America photographing women and girls for her ongoing series, Las Pelilargas, or The Longhairs. Shot in color and black and white, the portraits document a distinct cultural practice through an incredibly alluring, even surreal lens.

a Black woman in a pink and white polka dot dress and hat standing on the front step of her home with countless found objects sculptures surrounding her
L.V. Hull at her home in Kosciusko, Mississippi, in 2002. Photo by Bruce West. Image courtesy of the L.V. Hull Legacy Center

Grace’s Pick: The Home Studio of the Late Artist L.V. Hull Is Added to the National Register of Historic Places

Kosciusko is a small town in the center of Mississippi with just under 7,000 residents. Known as the birthplace of Oprah Winfrey, Kosciusko was also home to the late artist L.V. Hull (1942–2008) who devoted her life to painting and assembling found objects.

artist Ellie Hannon working on a painting on the aft deck of a research vessel at sunset
Ellie Hannon works on one of her paintings on the aft deck during sunset on the Timor Sea around Ashmore Reef. Images © Schmidt Ocean Institute

Kate’s Pick: Art and Science Set Sail in Schmidt Ocean Institute’s Artist-at-Sea Program

“There are many ways to tell a story or to document and share research and discoveries,” says artist Ellie Hannon, one of 54 artists who have embarked on a unique residency organized by the Schmidt Ocean Institute. From slip-cast porcelain and painting to 3D printing and virtual reality, the storytelling possibilities are endless in the Artist-at-Sea program, which invites artists to work alongside scientists on weeks-long expeditions into some of the least-explored areas of our oceans.

Image courtesy of the artist

Christopher’s Pick: Nadya Tolokonnikova On Pussy Riot, Life as Performance Art, and How Anonymity Is Her Strength

“People often don’t think about how important a person who has a photo and video camera is. The action could be gorgeous, but if you don’t have a good photographer to capture it, then it’s just not gonna work.” —Nadya Tolokonnikova

Nadya Tolokonnikova created Pussy Riot in 2011 partly in response to Vladimir Putin’s declaration that he would continue his reign over Russia. In 2012, when she and her collaborators undertook their now-famous performance at the Cathedral of Christ the Saviour, she was infamously sentenced to two years in prison, vaulting the art collective to international fame. Grace Ebert, Colossal’s editorial director, spoke with Nadya over Zoom one Saturday in February, more than a decade since Pussy Riot’s founding, her imprisonment, and her release.

a red telephone booth in a park
A ‘Wind Phone’ in Evanston, Illinois. Image courtesy of Amy Dawson

Grace’s Pick: For the Grieving, the Global ‘Wind Phone’ Movement Is a Lifeline

Garden designer Itaru Sasaki lost his cousin to cancer just months before a 9.1-magnitude earthquake devastated his town, the small fishing village of Otsuchi. In an attempt to wrangle his grief, he decided to create a space for mourning in his backyard, one that would offer quiet and a symbolic connection to his loved one. He called it Kaze no denwa, or “Phone of the Wind.”

Containing photos and stories from the creators, Amy Dawson’s searchable map tracks more than 300 “Wind Phones” around the globe, each individually installed and maintained.

“The Two Walls” by Alejandro Cegarra, The New York Times/Bloomberg. Image courtesy of World Press Photos

Jackie’s Pick: With Few Glimmers of Hope, the World Press Photo Contest Documents War, Migration, and Devastation

From Israel’s ongoing assault leaving the people of Gaza in horrific destitution to a record-breaking surge of migrants at the U.S.-Mexico border, the last year has seen incredible devastation around the globe. The 2024 World Press Photo contest gathers a profound and illuminating collection of images that approach myriad crises with compassion and clarity.

a Navajo weaving replicating the patterns of a Pentium core processor
“Replica of a Chip” (1994), wool mounted on wood, 120 × 146.1 centimeters. Photo © Museum Associates/LACMA. Image courtesy of American Indian Science and Engineering Society

Kate’s Pick: Marilou Schultz Weaves Computer Processor Patterns in Traditional Navajo Tapestries

What does Intel’s Pentium computer chip have in common with Navajo textiles? More than you might think. For artist Marilou Schultz, the ancestral practice of weaving melds with an unexpected contemporary source of inspiration. Merging analog loom methods with the patterns found on computer processor cores, Schultz entwines the histories of the Navajo people and modern technology.

Image © Todd Antony

Christopher’s Pick: Todd Antony Chronicles the ‘Cholitas Escaladoras’ Summiting the Highest Peak in the Americas

Originally meant as a pejorative term, cholita has been embraced by Aymara and Quechua women, who have adopted the name as a signal of pride. Photographer Todd Antony caught up with a group who call themselves the “Climbing Cholitas,” and a breathtaking series of images was born in Cholitas Escaladoras. 

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Our Favorite Stories of 2024 appeared first on Colossal.

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Unlocking Potential: How USAID Partnerships Enable Access to Climate Adaptation Finance

Unlocking Potential: How USAID Partnerships Enable Access to Climate Adaptation Finance

Unlocking Potential: How USAID Partnerships Enable Access to Climate Adaptation Finance
jschoshinski
Wed, 12/18/2024 – 17:45

This blog is the second in a series highlighting USAID Climate Adaptation Support Activity (CASA) support for the African Adaptation Initiative (AAI). The first blog explored the adaptation climate finance gap and CASA’s partnerships to build technical capacity for accredited entities to apply for funding from the Green Climate Fund (GCF).
Climate change is exacerbating existing vulnerabilities and threatening the livelihoods of millions of people around the globe. Africa is facing disproportionate impacts, with threats to food security, ecosystems, and economies fueling displacement and worsening the threat of conflict over limited resources across the region. Countries have articulated their priorities for addressing these climate risks in national policies and commitments.
USAID’s CASA supports the AAI to unlock critical adaptation funds from the GCF. In 2024, CASA continued this work by helping accredited entities apply for funding from GCF. Managed by national and sub-national governments, development banks, and other eligible institutions, these funds will enhance the region’s resilience to climate shocks and stressors.
The GCF is the world’s largest fund for mitigation and adaptation in developing countries. The Fund has committed 50 percent of adaptation finance to Least Developed Countries, Small Island Developing States, and African countries, representing 25 percent of overall GCF funds. Despite this commitment, eligible African entities, like national development banks, often need more technical capacity to complete the rigorous accreditation and proposal requirements to access the funding allocated to them.  
AAI strengthens collaboration on adaptation through high-level pan-African and regional dialogues, large-scale adaptation action on the ground, and efforts to bridge the adaptation financing gap. With support from CASA, AAI collaborates with economist Sandra Freitas and her team of over 70 experts at SSA to build the capacity of African institutions to access GCF adaptation finance.
In 2024, CASA worked with AAI and the Sustainable Solutions for Africa (SSA) to develop the Adaptation Finance Academy, a structured training program covering GCF policies and procedures to build technical skills in climate analysis and modeling, financial structuring, economic impact assessments, and environmental and social safeguarding. This December, CASA and SSA will host the first Academy, bringing in more than 50 experts from up to 25 countries for two weeks of training.  
The GCF proposal requires at least 22 annexes. You need climate scientists to do the climate rationale, project analysis, someone who understands GCF policies and asset modalities and templates, a project developer, financial technicians, and experts in whichever sector you are pursuing, from infrastructure to energy to agriculture. We have accepted the complexities of the climate finance ecosystem and are now focused on building capacity to work within these frameworks. We want to invest time and energy training the experts so they can thrive in the existing reality.
Sandra Freitas

Freitas’ team also provides on-demand support to GCF-accredited entities and government leaders to design and develop robust climate finance proposals. If these institutions successfully apply for GCF funding, it will help ensure that climate adaptation finance is more equitably distributed and programming decisions are made by the regions and countries most affected. 
“We hope that after the Academy, they can return to their home countries equipped to develop a funding proposal or concept note because we have demonstrated how it can be done. It’s complex, but it’s not impossible.”  
In Senegal, Freitas’ team works closely with one institution to develop a proposal to launch a climate-smart agriculture facility. This facility will establish a credit line to support smallholder farmers who are highly vulnerable to climate change and face challenges accessing finance. With GCF funding, the facility will provide financing, technical assistance, and capacity-building services to enhance agricultural productivity while reducing greenhouse gas emissions. 
Ultimately, this collaboration between USAID, AAI, and their technical partners demonstrates that a relatively small upfront investment in technical training and capacity building can enable countries to better anticipate, plan for, and respond to future climate challenges.

Teaser Text
USAID’s CASA supports the AAI to unlock critical adaptation funds from the GCF. In 2024, CASA continued this work by helping accredited entities apply for funding from GCF

Publish Date
Wed, 12/18/2024 – 12:00

Author(s)

Hannah Blair

Hero Image
Ghana_PSE.JPG

Blog Type
Blog Post

Strategic Objective

Adaptation

Region

Africa

Topic

Adaptation
Agriculture
Climate
Climate Finance
Climate Strategy Implementation
Locally-Led Development
Resilience

Country

Senegal

Sectors

Adaptation
Climate Finance

Projects

Climate Adaptation Support Activity (CASA)

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