Search

Matias Karsikas Merges Diverse Techniques to Reimagine Natural Surfaces

We are an online community created around a smart and easy to access information hub which is focused on providing proven global and local insights about sustainability

23 Jan, 2025

This post was originally published on Colossal

“Listening to the material is a central principle in my work,” Matias Karsikas says. Combining elements of glass, wood, and ceramics, the Helinski-based artist draw upon nature’s persistence despite human intervention.

Karsikas’ botanical sculptures rest between artificial and organic. While bold hues of hand-blown glass neatly bloom into symmetrical petals and small bits of fired clay rhythmically protrude to resemble disc florets, fragments of untreated wood create a contrast that challenges the harmony between naturally occurring components of flora and fabricated representations of it.

a botanical sculpture of a flower, made from glass, wood, and ceramics
“Suonkukka (Marsh Flower)”

“These works do not directly depict figures or landscapes but instead draw inspiration from nature through textures and surfaces,” Karsikas explains. For instance, more complex finishes of mottled, green hues—as seen in pieces such as “Jäkälä” and “Sammal”—are a result of the artist developing his own glazes to mimic surfaces similar to lichen and moss.

His first major public work, “Peukaloisen puutarha,” rests on a Helsinki daycare center wall. Translating to “Little Thumbling’s Garden,” the installation includes an abundance of pickings such as embellished flowers, a berry cluster, and peas. “Playing with scale is intended to evoke memories of childhood,” Karsikas shares. “It was a time when everything seemed bigger, more magical, and more exciting.”

Having recently concluded his first major exhibition at the Finnish Glass Museum, Karsikas is currently working on two forthcoming public artworks. Follow his Instagram for updates, and see his website for more work.

“Kultaa ja Kukkia (Gold and Flowers)
a wall-mounted sculpture of a cluster of botanical forms made from glass, wood, and ceramics
“Jäkälä (Lichen)”
a botanical sculpture of a flower, made from glass, wood, and ceramics
“Filigraanikukka (Filigree Flower)
a knit-like pattern made from glass
“Sammal (Moss)”
“Päivänsäde ja Menninkäinen (The Sunbeam and the Goblin)”
an installation of botanical sculptures mounted on the wall of a stairwell made from glass, wood, and ceramics
“Peukaloisen puutarha (Little Thumbling’s Garden),” photo by HAM / Sonja Hyytiäinen
Detail of “Peukaloisen puutarha (Little Thumbling’s Garden),” photo by HAM / Sonja Hyytiäinen
a sculpture of botanical form, made from glass, wood, and ceramics
“Kuumalähde (Hot Spring)”
a botanical sculpture of a flower, made from glass, wood, and ceramics
“Ametistikukka (Amethyst Flower)”

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Matias Karsikas Merges Diverse Techniques to Reimagine Natural Surfaces appeared first on Colossal.

Pass over the stars to rate this post. Your opinion is always welcome.
[Total: 0 Average: 0]

You may also like…

Gap Between Water Supply and Demand to Widen as Climate Warms: Study

Gap Between Water Supply and Demand to Widen as Climate Warms: Study

Stronger water management efforts will be essential to overcoming the gap between supply and demand as the planet continues to warm, according to a new analysis by Lorenzo Rosa, principal investigator at Carnegie Science, and Matteo Sangiorgio, a researcher at the Polytechnic University of Milan. For the study, the pair of researchers quantified issues of […]
The post Gap Between Water Supply and Demand to Widen as Climate Warms: Study appeared first on EcoWatch.

Australasian Waste Recycling Expo debuts as ReGen at ICC

Australasian Waste Recycling Expo debuts as ReGen at ICC

Australia’s circular resource exhibitors, buyers and thought leaders are set to attend ReGen | Australia’s Circular Resource Expo, taking place on 23–24 July 2025 at ICC Sydney.

The two-day trade event, organised by Diversified Australia, marks the evolution of what was previously known as the Australasian Waste Recycling Expo, a longstanding brand dedicated to resource management and waste reduction for over 15 years.

The rebrand to ReGen reflects the expo’s expanded scope and emphasis on the circular economy, welcoming an array of innovative exhibitors, experts and emerging professionals committed to reducing waste, promoting resource efficiency and fostering sustainable markets.

“At Diversified Australia, we’re proud to produce events that drive positive industry change,” said Ali Lawes, event director for ReGen at Diversified.

“ReGen embodies our commitment to equip and empower industry leaders and practitioners in support of Australia’s ambitious 2035 targets for waste elimination, resource circulation, and pollution reduction.”

ReGen will showcase technical displays, offer vital industry insights and feature keynote addresses, panel discussions and networking opportunities.

The program aims to help attendees — from seasoned experts to newcomers — navigate their roles in creating a circular economy that keeps resources in use, minimises waste and regenerates natural systems.

As part of its evolution, ReGen will incorporate Circularity, Australia’s original circular economy conference, into its 2025 education program.

Since its launch in 2022, Circularity has served as a platform for industry practitioners to discuss Australia’s transition to a circular economy.

Now integrated into ReGen, Circularity will reach a broader audience, offering free sessions on topics such as circular product design and sustainable waste management — ensuring these critical insights remain accessible to all attendees.

For the last three years Circularity has been proudly presented by Planet Ark’s Australian Circular Economy Hub in partnership with Diversified Australia.

Planet Ark CEO Rebecca Gilling said that integrating the country’s leading circular economy event into ReGen would offer even more impactful opportunities to drive Australia’s circular transition.

“The inclusion of Circularity into ReGen is a significant step forward in promoting circular economy principles on a national scale in collaboration with the waste and recycling industry,” Gilling said.

“At Planet Ark, we are thrilled to see Circularity evolve into a broader platform, ensuring critical conversations about sustainable resource management and circular product design reach more professionals and innovators than ever before. This partnership underscores the importance of collaboration in building a circular Australia.”

The expo’s name, ReGen, represents both the regenerative practices it champions and the generational transformation required to meet sustainability goals.

ReGen invites participants to “Rethink, Redesign, Repurpose, and Renew” as they contribute to a circular and sustainable future for Australia.

For more information and to register, visit regenexpo.com.au

Image credit: iStock.com/izusek

0 Comments