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Johanna Goodman’s Larger-than-Life Collaged Figures Embody Strength and Resilience

15 Aug, 2024

This post was originally published on Colossal

“Abortion Rights.” All images © Johanna Goodman, shared with permission

From neighborhood highlights to presidential candidates to the total solar eclipse event this past April, Johanna Goodman’s lighthearted collages highlight vital issues, current events, and pivotal personalities. Foregrounding city scenes, iconic architecture, or vivid patterns, the figures in her compositions confidently embody their surroundings and concerns.

For the last few years, Goodman has focused on a series titled Catalogue of Imaginary Beings (previously). More recently, she has branched into numerous sub-series that often focus on specific themes, ranging from regional celebrations—like a collection celebrating the heritage of the Bronx neighborhood in New York City—to fashion, the seasons, mythology, or her vision for the future. She works with a mix of materials, from analog paper and paste to digital tools to fabric, creating collages that are often installed at a large scale.

Many of Goodman’s pieces directly reference current events and critical social issues, like depicting a wind turbine worker as part of WIRED magazine’s monthly series titled Your Next Job or her recent collage about abortion rights made in support of RHEDI, a nonprofit expanding access to high-quality abortion care.

Resilient women often make appearances in Goodman’s pieces, like a portrait of Vice President Kamala Harris, who wears a manifestation of the White House in a reflection of her bid to win the presidential election later this year. And author and journalist E. Jean Carroll, whose legal suits against Donald Trump found the former president liable for sexual abuse and defamation—the latter twice—appears in front of an ornate classical courthouse wearing armor and wielding a sword.

Goodman recently translated a few figures into quilts and soft sculptures for an exhibition titled Figure. Head. at AmCE Creative Arts in Seattle, opening September 14. She also designed the front cover of a new Penguin edition of Virginia Woolf’s Orlando, which will be released on September 24. You can pre-order your copy now on Bookshop, and explore much more of Goodman’s work on her website.

 

a collage of an exaggeratedly tall depiction of E. Jean Carroll, wearing knight's armor and holding a sword, standing in front of an ornate arch

“Plate No. 505, E. Jean Carroll”

a collage of an exaggeratedly tall woman wearing an abstract dress with a historic map of the Borough of the Bronx

“Bronx No. 4”

a quilted collage of two exaggeratedly tall women wearing black dresses and standing in front of a patchwork background

“Plate No. 512” (2023), fabric, 60 x 40 inches

a collage of an exaggeratedly tall Kamala Harris with a billowing garment containing a photograph of the White House

“Kamala Harris for President”

a collage of an exaggeratedly tall man climbing up an abstracted wind turbine with a sunny orange day on one side and a blue snowy day on the other side

“Wind Turbine Repair,” WIRED Magazine

a collage of an exaggeratedly tall man who stands with one foot on a basketball and whose clothes are made out of black-and-white images of the Bronx, stnading in front of greenery on a basketball court

“Bronx No. 5”

a collage of an exaggeratedly tall woman wearing a vibrant abstract dress, standing next to a young child who also wears a vibrantly patterned dress

“Plate No. 417”

a collage of an exaggeratedly tall man wearing a hat and a stylized outfit, standing in front of a multi-image background of city buildings and wheat-pasted signs

“Retro Futurism No. 3”

a collage of an exaggeratedly tall man sitting on a stool with a body made of geometric, building-like shapes, holding a cell phone

“Plate No. 489”

a collage of an exaggeratedly tall woman wearing a black dress with the solar eclipse depicted in its skirt, wearing eclipse glasses and standing in front of a backfround of fields and sky

“Plate No. 244, Eclipse”

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Johanna Goodman’s Larger-than-Life Collaged Figures Embody Strength and Resilience appeared first on Colossal.

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Sustainable dye extracted from avocado by-products

Sustainable dye extracted from avocado by-products

Westfalia Fruit has committed to using all parts of the avocado across the supply chain, including the skins and seeds, to make new, sustainable products.

Avocados imported for retail, food service and wholesale customers are carefully inspected and any unsuitable avocados are processed at Westfalia’s facility into products like avocado pulp, smashed avocado and guacamole.

However, the avocado skins and seeds from the process, previously typically used in low-value applications such as anaerobic digesters, are now finding new, higher-value alternative uses.

Having partnered with Efficiency Technologies, the value of the entire by-product channel of avocado skins and stones is assessed to optimise use, with the most recent development being a technology extracting a natural, sustainable dye from avocado stones, with SAGES London.

The process extracts perseorangin (a rare and sought-after natural pigment) from avocado stones collected at Westfalia’s UK facility. The pigment offers eight distinct shades ranging from light yellow to rich reddish-brown, creating new opportunities for sustainable colouring solutions across multiple industries.

Westfalia Fruit’s sustainable dye extraction on display at Fruit Logistica 2025.

The specialised extraction method isolates perseorangin, which constitutes approximately 3% of the avocado stone, and processes it into a dried powder form, providing extended shelf life.

“This breakthrough represents a significant step in our journey toward our total crop use strategy,” said Andrew Mitchell, Head of Group Innovation at Westfalia Fruit.

“By transforming what was once considered by-product into a valuable resource, we’re creating sustainable solutions that benefit multiple industries. The ability to produce eight distinct natural shades while maintaining our commitment to use the entire fruit demonstrates the potential of innovative thinking in sustainable agriculture.”

Besides the dye extraction, remaining materials from the avocado skins and stones are also processed into additional products — for example, starches are directed to paper manufacture as a precursor to packaging production, while ground materials find applications in cosmetics as natural exfoliants, as alternatives to micro-plastics.

The natural dye extraction process represents an advancement in sustainable practices, particularly as industries increasingly seek alternatives to synthetic dyes.

The powder format enables stability and ease of use across various applications, while the range of the eight distinct natural shades provide versatility for different product requirements.

This innovation comes at a time when consumer demand for natural, sustainable products continues to rise across fashion, beauty and packaging sectors. The pigment’s successful showcase at London Fashion Week highlighted its viability in sustainable fashion, while ongoing collaborations with industry leaders in cosmetics and packaging demonstrate its cross-sector appeal.

Plans are underway to understand how the technology could be expanded to additional Westfalia facilities in Europe, where more avocado by-product can be processed using the same techniques.

The company’s integrated operations enable efficient collection and processing of avocado stones and skins from multiple production sites, which will help to maximise the sustainable impact of the initiative and builds upon Westfalia’s commitment to sustainability and circular economy principles.

Top image caption: Westfalia Fruit introduces sustainable dye extraction from avocado by-products.

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