Search

In London, an Enormous Exhibition of 500+ Works Roots Out the Creative Seeds of Flowers

30 Jan, 2025

This post was originally published on Colossal

In nature, flowers serve as an essential component of the reproduction process. But for humans, scented blooms are ripe with myriad meanings and symbolism that transcend their biological functions.

During Victorian times, offering a bouquet to someone with your right hand indicated a non-verbal “yes,” while a yellow carnation would reject an admirer. Similarly in art history, wilting flowers rendered as a momento mori remind us of death’s inevitability, and for van Gogh, sunflowers were the perfect stand-in for gratitude.

a photo of a person laying in a wheelbarrow covered by flowers
Aimée Hoving, “Compost” (2019). Image © Aimee Hoving, flowers by Brigitte Gentis van Dam Merrett

A massive exhibition opening next month at Saatchi Gallery cultivates a vast repertoire of works that explores how blooms have become an omnipresent entity in human life and creativity. Flowers: Flora in Contemporary Art and Culture brings together more than 500 photographs, installations, sculptures, archival pieces, and other objects to create a rich landscape spanning millennia.

Anchoring the exhibition is an expansive and immersive work of 100,000-plus dried flowers by Rebecca Louise Law. Smaller pieces include Xuebing Du’s ethereal photos of flowers in natural light, VOYDER’s streaky steam-laden compositions, and lush, vibrant gardens by Faye Bridgewater.

Opening in time to usher in spring in London, Flowers runs from February 12 to May 5.

a bouquet sits behind a foggy screen with clean streaks revealing the image
VOYDER, “In Love with the Idea of You” (2024). Image courtesy of the artist
a black and white collage of a woman with two faces spliced together
Miriam Tolke, “Flowers of Yesterday.” Image courtesy of the artist
a still life painting of a bouquet with delicate streaks of paint across the flowers
Sandra Kantanen, “Still Life (Flowers I).” Image courtesy the artist and Purdy Hicks Gallery
a dreamy image of a flower with black specks in the center
Xuebing Du, “Mother of Pearl” (2018). Image courtesy of the artist
a philodendron with pink and green coloring stands next to another flower that juts from a wall and cracks down in a perfect right angle
Carmen Mitrotta, “Geometric Leaves.” Image courtesy the artist
a lush painting of flowers in pinks, purples, reds, and oranges
Faye Bridgwater, “En Masse” (2025). Image courtesy of the artist
flowers drip in long vibrant streaks
Ann von Freyburg, “Floral Arrangement 1 (After Jan van Huysum, Still Life).” Image courtesy of the artist

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article In London, an Enormous Exhibition of 500+ Works Roots Out the Creative Seeds of Flowers appeared first on Colossal.

Pass over the stars to rate this post. Your opinion is always welcome.
[Total: 0 Average: 0]

You may also like…

Smart factory design for Australian-made sustainable fashion

Smart factory design for Australian-made sustainable fashion

The Australian Fashion Council (AFC) and Epson Australia have launched an initiative to evaluate the potential for an AI and digitally powered smart factory to advance Australia’s clothing manufacturing capabilities. The organisations are seeking a qualified research partner to conduct a six-month feasibility study that will create a detailed blueprint for a pilot facility combining digital design and print, automation and AI technologies to rebuild local production.

A clothing smart factory is an automated production facility that enables on-demand, customisable garment manufacturing with minimal waste and fast turnaround times. By bringing together digital design and print and advanced manufacturing technologies with AI-powered systems and analytics, smart factories can enable quick, flexible production runs that respond rapidly to market trends without the high minimum order quantities that can result in overproduction.

Jaana Quaintance-James, CEO of the Australian Fashion Council, said: “This smart factory initiative addresses multiple challenges facing Australian fashion manufacturing, from supply chain disruptions to skills shortages. Our sector is at a critical tipping point. The feasibility study will validate whether a smart factory pilot program can be commercially viable while delivering broader benefits as part of an integrated advanced manufacturing ecosystem.”

Research commissioned by the AFC has estimated that for every $1m invested in returning production to Australia, approximately $1.2m in economic returns could be generated through job creation, technology adoption, strengthened local supply chains and reduced import dependencies.

Craig Heckenberg, Managing Director of Epson Australia.

Craig Heckenberg, Managing Director of Epson Australia, said: “Epson is committed to supporting innovation in Australian manufacturing as we believe Epson’s digital textile printing technology can help build a more sustainable world and improve lives. Our partnership with the AFC and this blueprint and initiative will help local brands, big and small, have access to smart manufacturing capabilities that match their scale and ambition. For smaller brands, it means producing high-quality garments locally, on demand. For larger companies it offers a blueprint to implement smart factory practices within their operations. As a result, we see a future where Australian-made sustainable fashion will set the global standard, leading not just in design, but also in ethical, high-tech manufacturing.”

Why a feasibility study?

Before committing significant resources to establish a smart factory, the AFC and Epson recognise the importance of thoroughly validating the concept and learning from other local and international examples. The comprehensive six-month study will assess market viability, technical requirements, operational models, financial projections, and social and environmental considerations to create a detailed implementation roadmap.

“This isn’t just a research exercise, it’s the foundation for action,” Quaintance-James said. “Following completion of the study toward the end of 2025, we’ll develop a detailed implementation plan to secure investment partnerships, finalise specifications for an initial pilot, develop training programs with educational institutions, and create a governance framework to maximise benefits to the Australian fashion industry.”

“The smart factory concept represents a transformative shift toward ‘rapid agile’ on-demand manufacturing,” Heckenberg said. “Rather than speculative production, this approach enables creating products in response to actual consumer demand, simultaneously addressing profitability challenges and environmental concerns.”

Call for research partners

The initiative aims to retain sovereign manufacturing capability, rebuild local supply chains, drive digital innovation, and upskill the workforce through educational partnerships.

Research partners may be Australian-based or international organisations with the capacity to conduct a thorough feasibility study that delivers actionable recommendations. Interested parties should submit their expressions of interest by 15 June 2025.

Top image credit: iStock.com/eternalcreative

Time to Fix the Broken Equal Access to Justice Act

Time to Fix the Broken Equal Access to Justice Act

The Equal Access to Justice Act (EAJA) was created with good intentions—to protect individuals and small businesses from being steamrolled by the federal government. Passed in 1980, EAJA was meant to level the playing field by reimbursing legal costs when

0 Comments