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In London, an Enormous Exhibition of 500+ Works Roots Out the Creative Seeds of Flowers

30 Jan, 2025

This post was originally published on Colossal

In nature, flowers serve as an essential component of the reproduction process. But for humans, scented blooms are ripe with myriad meanings and symbolism that transcend their biological functions.

During Victorian times, offering a bouquet to someone with your right hand indicated a non-verbal “yes,” while a yellow carnation would reject an admirer. Similarly in art history, wilting flowers rendered as a momento mori remind us of death’s inevitability, and for van Gogh, sunflowers were the perfect stand-in for gratitude.

a photo of a person laying in a wheelbarrow covered by flowers
Aimée Hoving, “Compost” (2019). Image © Aimee Hoving, flowers by Brigitte Gentis van Dam Merrett

A massive exhibition opening next month at Saatchi Gallery cultivates a vast repertoire of works that explores how blooms have become an omnipresent entity in human life and creativity. Flowers: Flora in Contemporary Art and Culture brings together more than 500 photographs, installations, sculptures, archival pieces, and other objects to create a rich landscape spanning millennia.

Anchoring the exhibition is an expansive and immersive work of 100,000-plus dried flowers by Rebecca Louise Law. Smaller pieces include Xuebing Du’s ethereal photos of flowers in natural light, VOYDER’s streaky steam-laden compositions, and lush, vibrant gardens by Faye Bridgewater.

Opening in time to usher in spring in London, Flowers runs from February 12 to May 5.

a bouquet sits behind a foggy screen with clean streaks revealing the image
VOYDER, “In Love with the Idea of You” (2024). Image courtesy of the artist
a black and white collage of a woman with two faces spliced together
Miriam Tolke, “Flowers of Yesterday.” Image courtesy of the artist
a still life painting of a bouquet with delicate streaks of paint across the flowers
Sandra Kantanen, “Still Life (Flowers I).” Image courtesy the artist and Purdy Hicks Gallery
a dreamy image of a flower with black specks in the center
Xuebing Du, “Mother of Pearl” (2018). Image courtesy of the artist
a philodendron with pink and green coloring stands next to another flower that juts from a wall and cracks down in a perfect right angle
Carmen Mitrotta, “Geometric Leaves.” Image courtesy the artist
a lush painting of flowers in pinks, purples, reds, and oranges
Faye Bridgwater, “En Masse” (2025). Image courtesy of the artist
flowers drip in long vibrant streaks
Ann von Freyburg, “Floral Arrangement 1 (After Jan van Huysum, Still Life).” Image courtesy of the artist

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article In London, an Enormous Exhibition of 500+ Works Roots Out the Creative Seeds of Flowers appeared first on Colossal.

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Australian Open exceeds single-use waste reduction targets

Australian Open exceeds single-use waste reduction targets

Single-use waste reduction targets have been exceeded at this year’s Australian Open, with Tennis Australia’s projection of 100,000 reusable items washed increased by almost 37,000.

Through the partnership between Sustainability Victoria and Tennis Australia, thousands of reusable cups, made by Victorian company bettercup, replaced single-use cups in the Courtside Bar and bars around Garden Square.

With additional reusable cups, bowls and plates served by vendors, the event saw a record-breaking 136,932 items washed for reuse, nearly doubling the result from last year’s event.

During the three-week tournament, the dishwashing team from Green My Plate collected, washed and returned over 69,000 bettercups alone, representing 552 kg of single-use cups avoided.

Matt Genever, Sustainability Victoria CEO, said, “It’s fantastic that so many people embraced the reusable cups at AO25, diverting waste from landfill and reducing their environmental impact.

“The simplicity of the model was key to its success. Patrons enjoyed their drinks in the reusable cups then dropped them at clearly marked collection points for washing.

“The reusable bettercups will also be repurposed for other events across Victoria, providing a long-term solution to waste reduction.”

The reusables bin at the Australian Open 2025 (AO25). Image: Supplied.

Tennis Australia’s Director of Sustainability, Matthew Nicholas, said, “We’re proud of the steps we’re taking to reduce single-use consumption at the Australian Open.

“On top of the almost 137,000 single-use items diverted from waste streams through the AO Reusables program, we recycled over 74 tonnes of glass and 64 tonnes of cardboard. We also tackled more challenging tournament-specific waste streams, sending approximately 16,000 tennis ball tubes and 5 km of nylon racquet string offcuts to dedicated recycling pilots.”

Sustainability Victoria will continue to support Tennis Australia in its future sustainability strategy as Victoria transitions to a circular economy with less waste and emissions.

Top image: Supplied.

Climate Zero and Carbon Neutral partner to reach net zero

Climate Zero and Carbon Neutral partner to reach net zero

A new partnership between Climate Zero and Carbon Neutral brings carbon accounting and offsets together, making sustainability gains easier for Australian businesses.

The partnership means businesses using Climate Zero’s carbon accounting software to measure, reduce and report on emissions can now also offset from the platform, making it easier for businesses of all sizes to progress their sustainability goals.

Climate Zero Managing Director Tai Lennon said the partnership reflected the company’s mission to remove barriers between businesses and net zero.

“Like anything, corporate sustainability is easier with the right tools and support. We’ve been helping businesses measure and reduce emissions for more than 15 years and now, with Carbon Neutral’s partnership, they can easily compare, choose and purchase high-integrity carbon credits and track their impact — all within our platform,” Lennon said.

Carbon Neutral CEO Phil Ireland agreed and said the partnership was a natural collaboration that made it easier for businesses to have a positive impact.

“With the ability to measure, offset and report on emissions all in one place, we’re not only removing administrative barriers but also making it easier for businesses of all sizes to take credible climate action,” Ireland said.

The partnership is said to reflect the need for a multi-faceted approach to corporate sustainability because of greenhouse gas emissions already locked into the atmosphere, requiring sequestering and nature-based regeneration.

“While reducing emissions remains the top priority to help our economy shift from depletion to regeneration, there will always be residual emissions that an organisation simply cannot reduce,” Lennon said.

“We’ve done our research and partnered with Carbon Neutral because we have seen first-hand the impact their projects are having not just to generate carbon credits but also to restore native landscapes, preserve biodiversity, return land to Traditional Owners and permanently remove carbon from the atmosphere.

“Our partnership is based on trust and integrity, because if you’re serious about reducing emissions, your offsets should be as real as your commitments.”

Image caption: Carbon Neutral CEO Phil Ireland with Climate Zero Managing Director Tai Lennon and Chief Product Officer Jess Symes.

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