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Guadalupe Maravilla’s Volcanic Rock Sculptures Invoke Resilience and Regeneration

18 Dec, 2024

This post was originally published on Colossal

With the region’s smallest geographic footprint, El Salvador boasts the second-highest number of volcanos in Central America. The country is located on the Ring of Fire, a tectonic band that encircles the Pacific Ocean and houses about two-thirds of all volcanos worldwide. Given its eruptive landscape, much of the soil is rich in ash.

In a series of sculptures, Guadalupe Maravilla (previously) draws on his home country as he sculpts backpacks and enlarged hands from volcanic rock. The works reference the artist’s migration from civil war-era El Salvador as an unaccompanied minor, a traumatic journey that remains a central theme in his practice.

a concrete hand sculpture holding a rectangular form with a birthday cake and o candle, blue snack, symbols, rabbit, and corn painted on it. lightning bolts are painted on the fingernails
“Luz y Fuerza” (2024), oil on volcanic rock, 14 x 14 x 4 inches

A trio of pieces, titled Dream Backpacks, refers to “how we immigrate to the U.S. by land and carry everything we own in a backpack in search of the American Dream,” Maravilla writes in a statement. Embellished with pink, purple, and blue paints, the poignant works display a variety of charms—feathers, a small cat figure, and metal details like a spigot—the artist collected while retracing his childhood route.

Other works take the form of a burly hand cradling smooth shapes featuring pieces redolent of retablos, small devotional paintings often invoking protection during times of hardship. Lightning bolts, stars, and snakes recur throughout the compositions, along with references to the artist’s colon cancer diagnosis, which he has long linked to the trauma he suffered as a child.

December 12 is special to Maravilla and titles one recent work featuring linked wishbones, crystals, and the children’s rhyme “Sana, sana, colita de rana,” which translates to “heal, heal, little frog’s tail.” As Maravilla shares on Instagram, “On 12/12/12 I found out I had cancer. 12/12/13 I overcame cancer. Today, I am starting a new chapter 12/12/24 with a special meditation.” Similarly, a cake with a “0” candle appears in “Luz y Fuerza,” which resembles a pastry the artist once used to celebrate both his birthday and what he considers his rebirth as cancer-free.

Citing resilience amid struggle, Maravilla’s sculptures call on healing and regeneration. Volcanic ash, after all, is one of the most potent natural fertilizers and a key factor in sparking new growth.

Maravilla is represented by P·P·O·W Gallery in New York, where you can find more of his work.

a hand sculpture with wishbones, sparkles, a hand holding a lightning bolt, a hand painted with various symbols, numbers, gems and text painted on
“12/12/24” (2024), oil on volcanic rock, 13 3/8 x 13 3/8 x 4 1/8 inches
a concrete backpack with a pink mouth and an orange feather
“Dream Backpack 3” (2023), volcanic rock and objects collected from a ritual of
retracing the artist’s original migration route, 16 1/4 x 12 x 4 3/4 inches
a concrete sculpture of a hand holding an angular form. symbols, hands, and snakes are painted on
“Self Love” (2024), oil on volcanic rock, 13 3/8 x 13 3/4 x 4 7/8 inches
“Heal Seven Years Back” (2024), oil on volcanic rock, 13 3/8 x 13 3/4 x 5 1/2 inches
a concrete backpack with two blue feathers, a black cat sculpture perched on top, and a gem medallion dangling from the handle
“Dream Backpack 2” (2023), volcanic rock and objects collected from a ritual of retracing the artist’s original migration route, 16 1/2 x 12 1/4 x 4 1/4 inches
a concrete hand sculpture holding an ovoid form. a character with shackles and flames for a head, a frog, a hand holding green plants are painted on
“Sana 7 Años Atras” (2024), oil on volcanic rock, 14 1/8 x 14 x 4 3/4 inches
a concrete hand sculpture cradling a round form with a snake painted in the center
“Si No Sanas Hoy Sanarás Mañana” (2024), oil on volcanic rock, 13 3/8 x 14 1/8 x 4 3/8 inches
a concrete hand sculpture cradling a circular form. paintings of hands, text, and various symbols cover the concrete
“Sana Sana Colita de Rana” (2024), oil on volcanic rock, 14 1/8 x 13 3/4 x 4 7/8 inches

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Guadalupe Maravilla’s Volcanic Rock Sculptures Invoke Resilience and Regeneration appeared first on Colossal.

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Unlocking Potential: How USAID Partnerships Enable Access to Climate Adaptation Finance

Unlocking Potential: How USAID Partnerships Enable Access to Climate Adaptation Finance

Unlocking Potential: How USAID Partnerships Enable Access to Climate Adaptation Finance
jschoshinski
Wed, 12/18/2024 – 17:45

This blog is the second in a series highlighting USAID Climate Adaptation Support Activity (CASA) support for the African Adaptation Initiative (AAI). The first blog explored the adaptation climate finance gap and CASA’s partnerships to build technical capacity for accredited entities to apply for funding from the Green Climate Fund (GCF).
Climate change is exacerbating existing vulnerabilities and threatening the livelihoods of millions of people around the globe. Africa is facing disproportionate impacts, with threats to food security, ecosystems, and economies fueling displacement and worsening the threat of conflict over limited resources across the region. Countries have articulated their priorities for addressing these climate risks in national policies and commitments.
USAID’s CASA supports the AAI to unlock critical adaptation funds from the GCF. In 2024, CASA continued this work by helping accredited entities apply for funding from GCF. Managed by national and sub-national governments, development banks, and other eligible institutions, these funds will enhance the region’s resilience to climate shocks and stressors.
The GCF is the world’s largest fund for mitigation and adaptation in developing countries. The Fund has committed 50 percent of adaptation finance to Least Developed Countries, Small Island Developing States, and African countries, representing 25 percent of overall GCF funds. Despite this commitment, eligible African entities, like national development banks, often need more technical capacity to complete the rigorous accreditation and proposal requirements to access the funding allocated to them.  
AAI strengthens collaboration on adaptation through high-level pan-African and regional dialogues, large-scale adaptation action on the ground, and efforts to bridge the adaptation financing gap. With support from CASA, AAI collaborates with economist Sandra Freitas and her team of over 70 experts at SSA to build the capacity of African institutions to access GCF adaptation finance.
In 2024, CASA worked with AAI and the Sustainable Solutions for Africa (SSA) to develop the Adaptation Finance Academy, a structured training program covering GCF policies and procedures to build technical skills in climate analysis and modeling, financial structuring, economic impact assessments, and environmental and social safeguarding. This December, CASA and SSA will host the first Academy, bringing in more than 50 experts from up to 25 countries for two weeks of training.  
The GCF proposal requires at least 22 annexes. You need climate scientists to do the climate rationale, project analysis, someone who understands GCF policies and asset modalities and templates, a project developer, financial technicians, and experts in whichever sector you are pursuing, from infrastructure to energy to agriculture. We have accepted the complexities of the climate finance ecosystem and are now focused on building capacity to work within these frameworks. We want to invest time and energy training the experts so they can thrive in the existing reality.
Sandra Freitas

Freitas’ team also provides on-demand support to GCF-accredited entities and government leaders to design and develop robust climate finance proposals. If these institutions successfully apply for GCF funding, it will help ensure that climate adaptation finance is more equitably distributed and programming decisions are made by the regions and countries most affected. 
“We hope that after the Academy, they can return to their home countries equipped to develop a funding proposal or concept note because we have demonstrated how it can be done. It’s complex, but it’s not impossible.”  
In Senegal, Freitas’ team works closely with one institution to develop a proposal to launch a climate-smart agriculture facility. This facility will establish a credit line to support smallholder farmers who are highly vulnerable to climate change and face challenges accessing finance. With GCF funding, the facility will provide financing, technical assistance, and capacity-building services to enhance agricultural productivity while reducing greenhouse gas emissions. 
Ultimately, this collaboration between USAID, AAI, and their technical partners demonstrates that a relatively small upfront investment in technical training and capacity building can enable countries to better anticipate, plan for, and respond to future climate challenges.

Teaser Text
USAID’s CASA supports the AAI to unlock critical adaptation funds from the GCF. In 2024, CASA continued this work by helping accredited entities apply for funding from GCF

Publish Date
Wed, 12/18/2024 – 12:00

Author(s)

Hannah Blair

Hero Image
Ghana_PSE.JPG

Blog Type
Blog Post

Strategic Objective

Adaptation

Region

Africa

Topic

Adaptation
Agriculture
Climate
Climate Finance
Climate Strategy Implementation
Locally-Led Development
Resilience

Country

Senegal

Sectors

Adaptation
Climate Finance

Projects

Climate Adaptation Support Activity (CASA)

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