Search

Guadalupe Maravilla’s Volcanic Rock Sculptures Invoke Resilience and Regeneration

18 Dec, 2024

This post was originally published on Colossal

With the region’s smallest geographic footprint, El Salvador boasts the second-highest number of volcanos in Central America. The country is located on the Ring of Fire, a tectonic band that encircles the Pacific Ocean and houses about two-thirds of all volcanos worldwide. Given its eruptive landscape, much of the soil is rich in ash.

In a series of sculptures, Guadalupe Maravilla (previously) draws on his home country as he sculpts backpacks and enlarged hands from volcanic rock. The works reference the artist’s migration from civil war-era El Salvador as an unaccompanied minor, a traumatic journey that remains a central theme in his practice.

a concrete hand sculpture holding a rectangular form with a birthday cake and o candle, blue snack, symbols, rabbit, and corn painted on it. lightning bolts are painted on the fingernails
“Luz y Fuerza” (2024), oil on volcanic rock, 14 x 14 x 4 inches

A trio of pieces, titled Dream Backpacks, refers to “how we immigrate to the U.S. by land and carry everything we own in a backpack in search of the American Dream,” Maravilla writes in a statement. Embellished with pink, purple, and blue paints, the poignant works display a variety of charms—feathers, a small cat figure, and metal details like a spigot—the artist collected while retracing his childhood route.

Other works take the form of a burly hand cradling smooth shapes featuring pieces redolent of retablos, small devotional paintings often invoking protection during times of hardship. Lightning bolts, stars, and snakes recur throughout the compositions, along with references to the artist’s colon cancer diagnosis, which he has long linked to the trauma he suffered as a child.

December 12 is special to Maravilla and titles one recent work featuring linked wishbones, crystals, and the children’s rhyme “Sana, sana, colita de rana,” which translates to “heal, heal, little frog’s tail.” As Maravilla shares on Instagram, “On 12/12/12 I found out I had cancer. 12/12/13 I overcame cancer. Today, I am starting a new chapter 12/12/24 with a special meditation.” Similarly, a cake with a “0” candle appears in “Luz y Fuerza,” which resembles a pastry the artist once used to celebrate both his birthday and what he considers his rebirth as cancer-free.

Citing resilience amid struggle, Maravilla’s sculptures call on healing and regeneration. Volcanic ash, after all, is one of the most potent natural fertilizers and a key factor in sparking new growth.

Maravilla is represented by P·P·O·W Gallery in New York, where you can find more of his work.

a hand sculpture with wishbones, sparkles, a hand holding a lightning bolt, a hand painted with various symbols, numbers, gems and text painted on
“12/12/24” (2024), oil on volcanic rock, 13 3/8 x 13 3/8 x 4 1/8 inches
a concrete backpack with a pink mouth and an orange feather
“Dream Backpack 3” (2023), volcanic rock and objects collected from a ritual of
retracing the artist’s original migration route, 16 1/4 x 12 x 4 3/4 inches
a concrete sculpture of a hand holding an angular form. symbols, hands, and snakes are painted on
“Self Love” (2024), oil on volcanic rock, 13 3/8 x 13 3/4 x 4 7/8 inches
“Heal Seven Years Back” (2024), oil on volcanic rock, 13 3/8 x 13 3/4 x 5 1/2 inches
a concrete backpack with two blue feathers, a black cat sculpture perched on top, and a gem medallion dangling from the handle
“Dream Backpack 2” (2023), volcanic rock and objects collected from a ritual of retracing the artist’s original migration route, 16 1/2 x 12 1/4 x 4 1/4 inches
a concrete hand sculpture holding an ovoid form. a character with shackles and flames for a head, a frog, a hand holding green plants are painted on
“Sana 7 Años Atras” (2024), oil on volcanic rock, 14 1/8 x 14 x 4 3/4 inches
a concrete hand sculpture cradling a round form with a snake painted in the center
“Si No Sanas Hoy Sanarás Mañana” (2024), oil on volcanic rock, 13 3/8 x 14 1/8 x 4 3/8 inches
a concrete hand sculpture cradling a circular form. paintings of hands, text, and various symbols cover the concrete
“Sana Sana Colita de Rana” (2024), oil on volcanic rock, 14 1/8 x 13 3/4 x 4 7/8 inches

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Guadalupe Maravilla’s Volcanic Rock Sculptures Invoke Resilience and Regeneration appeared first on Colossal.

Pass over the stars to rate this post. Your opinion is always welcome.
[Total: 0 Average: 0]

You may also like…

“Mining the Moon Begins”: US Firm’s Robot to Extract Rare Helium-3 and Launch Payloads Back to Earth for Futuristic Energy Use

“Mining the Moon Begins”: US Firm’s Robot to Extract Rare Helium-3 and Launch Payloads Back to Earth for Futuristic Energy Use

IN A NUTSHELL 🌕 Interlune, a Seattle-based startup, plans to extract helium-3 from the moon, aiming to revolutionize clean energy and quantum computing. 🚀 The company has developed a prototype excavator capable of digging up to ten feet into lunar soil, refining helium-3 directly on the moon for efficiency. 🔋 Helium-3 offers potential for nuclear […]
The post “Mining the Moon Begins”: US Firm’s Robot to Extract Rare Helium-3 and Launch Payloads Back to Earth for Futuristic Energy Use appeared first on Sustainability Times.

Smart factory design for Australian-made sustainable fashion

Smart factory design for Australian-made sustainable fashion

The Australian Fashion Council (AFC) and Epson Australia have launched an initiative to evaluate the potential for an AI and digitally powered smart factory to advance Australia’s clothing manufacturing capabilities. The organisations are seeking a qualified research partner to conduct a six-month feasibility study that will create a detailed blueprint for a pilot facility combining digital design and print, automation and AI technologies to rebuild local production.

A clothing smart factory is an automated production facility that enables on-demand, customisable garment manufacturing with minimal waste and fast turnaround times. By bringing together digital design and print and advanced manufacturing technologies with AI-powered systems and analytics, smart factories can enable quick, flexible production runs that respond rapidly to market trends without the high minimum order quantities that can result in overproduction.

Jaana Quaintance-James, CEO of the Australian Fashion Council, said: “This smart factory initiative addresses multiple challenges facing Australian fashion manufacturing, from supply chain disruptions to skills shortages. Our sector is at a critical tipping point. The feasibility study will validate whether a smart factory pilot program can be commercially viable while delivering broader benefits as part of an integrated advanced manufacturing ecosystem.”

Research commissioned by the AFC has estimated that for every $1m invested in returning production to Australia, approximately $1.2m in economic returns could be generated through job creation, technology adoption, strengthened local supply chains and reduced import dependencies.

Craig Heckenberg, Managing Director of Epson Australia.

Craig Heckenberg, Managing Director of Epson Australia, said: “Epson is committed to supporting innovation in Australian manufacturing as we believe Epson’s digital textile printing technology can help build a more sustainable world and improve lives. Our partnership with the AFC and this blueprint and initiative will help local brands, big and small, have access to smart manufacturing capabilities that match their scale and ambition. For smaller brands, it means producing high-quality garments locally, on demand. For larger companies it offers a blueprint to implement smart factory practices within their operations. As a result, we see a future where Australian-made sustainable fashion will set the global standard, leading not just in design, but also in ethical, high-tech manufacturing.”

Why a feasibility study?

Before committing significant resources to establish a smart factory, the AFC and Epson recognise the importance of thoroughly validating the concept and learning from other local and international examples. The comprehensive six-month study will assess market viability, technical requirements, operational models, financial projections, and social and environmental considerations to create a detailed implementation roadmap.

“This isn’t just a research exercise, it’s the foundation for action,” Quaintance-James said. “Following completion of the study toward the end of 2025, we’ll develop a detailed implementation plan to secure investment partnerships, finalise specifications for an initial pilot, develop training programs with educational institutions, and create a governance framework to maximise benefits to the Australian fashion industry.”

“The smart factory concept represents a transformative shift toward ‘rapid agile’ on-demand manufacturing,” Heckenberg said. “Rather than speculative production, this approach enables creating products in response to actual consumer demand, simultaneously addressing profitability challenges and environmental concerns.”

Call for research partners

The initiative aims to retain sovereign manufacturing capability, rebuild local supply chains, drive digital innovation, and upskill the workforce through educational partnerships.

Research partners may be Australian-based or international organisations with the capacity to conduct a thorough feasibility study that delivers actionable recommendations. Interested parties should submit their expressions of interest by 15 June 2025.

Top image credit: iStock.com/eternalcreative

0 Comments