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Chunbo Zhang Sandwiches Rich American Fare Between Ancient Chinese Treasures

26 Jan, 2025

This post was originally published on Colossal

In Chunbo Zhang’s Food Treasure series, cheese oozes from a patterned porcelain crust, while grease pools around a burger with a ceramic-like bun. Painted in acrylic or watercolor, the delicate compositions capture the gluttony and excess of the quintessential American diet.

Zhang, who’s based in Chicago, began the series in 2018 after moving to the U.S. and was struggling to adapt to her new surroundings, particularly regarding food. “It is not only essential in our daily life but also an entry point for foreigners to understand an unfamiliar culture,” she tells Colossal.

a painting of a deep dish pizza with a red and white dragon porcelain style motif on the crust

The artist found American dairy products difficult to digest and popular desserts like donuts and Oreos far too sweet. As she wondered how to bridge the divide between her Chinese background and adopted home, she began to paint realistic renderings of epicurean delights like deep-dish pizza and bagels thick with schmear. Except where a viewer might expect to find a glistening egg-wash glaze or crispy crust, Zhang painted motifs from antique porcelain.

Food Treasure depicts many of the dishes on a larger scale, nodding to both the immense portions of the American diet and also the outsized impact meals have on shaping our cultural identities. Each work emphasizes myriad tensions: hard and soft, raw and cooked, inedible and nourishing, ancient and contemporary, functional and decorative, high and low aesthetics. Reflecting Zhang’s anxieties, the works ask, “Do the two cultures fight each other or can they merge?”

Questions like this are fundamental to the series and inform how Zhang chooses reference imagery from Chinese wares that correspond to the dish. For example, the cheeseburger is sandwiched between a motif that represents long life and happiness, another dichotomy considering the diner fare is unlikely to find itself among any dietician’s recommendations. These patterns also reflect movement and migration as blue-and-white porcelain and elaborate, vivid florals emerged from cultural exchanges dating back to the 13th century.

In 2023, Zhang began to think about the ways food travels and painted an iteration of a drippy cheeseburger on remnants of a large FedEx box. The cardboard canvas references to-go culture and how pre-prepared and restaurant meals are often removed from their original context and consumed.

Several works from the Food Treasure series are on view through April 27 in Sustenance & Land at Elmhurst Art Museum. Find more on Zhang’s website.

a painting of a juicy drippy burger with a blue and yellow porcelain style motif on the bun
a painting of lasagna a blue and yellow porcelain style motif on the top
a painting of a burger with a blue and white porcelain style motif on the bun
a painting of a donut with a blue and white porcelain style motif on the breading and chocolate glaze and colorful sprinkles on top
a painting of waffles with a blue and yellow porcelain style motif on the outer edges
a painting of a bagel with a blue and white porcelain style motif smeared with cream cheese

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Chunbo Zhang Sandwiches Rich American Fare Between Ancient Chinese Treasures appeared first on Colossal.

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Riverside Centre achieves carbon neutrality using Siemens tech

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Siemens technology has helped Ashbridge Capital’s Riverside Centre in Adelaide reduce its energy consumption and emissions.

Controlled and monitored through Siemens’ leading Desigo CC Building Management System (BMS), Riverside has now become one of the few buildings of its age in Australia to achieve carbon neutrality. Originally built in 1987, the 22,000 m2 building is claimed to be the only office tower in South Australia fully certified carbon neutral.

By using Siemens technology, the Riverside Centre has reduced its electricity costs by 50%, energy consumption by 40% and emissions by 67.5%. It has also earned a 5.5 Star NABERS Energy rating.

Australian investment manager Ashbridge Capital, on behalf of German investor Atlantic Funds, planned to increase the building’s sustainability in 2020 with a $24 million investment, aiming to reduce the building’s carbon footprint through energy efficiency upgrades.

The investment manager partnered with Siemens on an Energy Performance Contract, which included modernising mechanical services including lift motors, smart metering, LED lighting upgrades and the installation of a solar panel system.

“The Riverside Centre, almost 40 years old, has been transformed into a carbon-neutral building with a 5.5 Star NABERS rating — an impressive achievement. We are exceptionally proud of these achievements, which validate that the Riverside Centre remains as relevant and competitive as any premium office building in Australia,” said Vishant Narayan, Founder and Managing Director of Ashbridge Capital. “Climate change is one of the most significant challenges of our time. The built environment produces around 40% of carbon emissions globally. As building owners, we have a duty of care not just to provide healthy and productive spaces for tenants, but to use the latest energy efficiency technology there is to help reduce our collective carbon emissions.

“Siemens has been a great technology partner on our sustainability journey. From the feasibility studies at the start through to supporting us in bringing some of the best-in-class building management technology, it has been a collaborative effort to get to where we are now. We basically hit every goal we wanted to and outperformed on energy performance by 250%.”

Part of the Siemens Xcelerator portfolio, Desigo CC is an open building management platform which is designed to manage high-performance buildings and adapt to future requirements.

Additionally, Siemens’ remote digital service centre in Melbourne provides real-time monitoring of the Riverside Centre, enabling the building to continue to operate at peak performance with a data-driven maintenance model.

Peter Halliday, CEO of Siemens Australia and New Zealand said, “Australia is responsible for 1% of the global greenhouse gas emissions — but by accelerating digitalisation across industry and infrastructure, we can achieve our greenhouse gas reduction targets faster, ease the burden on ambitious renewables targets and contribute more to decarbonising the world beyond 1%.

“The Riverside Centre is a great example. Technology upgrades have delivered energy savings that will pay for the upgrades over time. This is true sustainability and demonstrates that no matter a building’s age, we can use technologies available today to digitalise, become more sustainable and reduce operating costs.”

Image caption: Vishant Narayan, Founder and Managing Director of Ashbridge Capital, and Peter Halliday, CEO of Siemens Australia and New Zealand, at the Riverside Centre, Adelaide.

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