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Festival Style, Done More Sustainably

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10 Apr, 2025

This post was originally published on Good on You

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What is festival fashion and where does it come from? And why are so many people talking about its problematic aspects? Here, we explore fast fashion’s influence, overconsumption, and cultural appropriation, plus, the brands offering more sustainable alternatives for those committed to dressing for the occasion.

What does festival fashion even mean?

Cast your mind back to one of the most famous festivals of all time—Woodstock 1969. The three-day, generation-defining event in upstate New York was immortalised in photos that have come to serve as the ultimate festival style inspiration.

Think flares, bandanas, beaded headbands, fringed jackets, crop tops, denim, crochet, swathes of tie-dye, and psychedelic prints. At the time, these styles reflected the politically charged, protest-driven hippie movement, but today they’ve trickled down to symbolise the broader genre of festival goers, and an annual summer trend.

You can see the enduring influence of Woodstock in Kate Moss’ style at Glastonbury in the early 2000s, and later, Vanessa Hudgens and the Kardashians at Coachella, who heralded a new era of celebrity and influencer-driven festival style. When Coachella kicks off the northern hemisphere’s festival season in April, brands waste no time bombarding us with festival-inspired edits, and almost always, they hark back to what people were wearing at Woodstock.

Festival style, the fast fashion way

The annual onslaught of festival edits is a striking reminder of the extent to which fast fashion encourages overconsumption and excessive production. At the time of writing, fast fashion brand Boohoo had an astounding 563 products, starting from as low as £4.00, in its “festival” category. These clothes echo the styles noted above, including flares, crop tops, crochet and psychedelic prints, only none of them are made with the peace and love ethos that Woodstock’s attendees were looking to embody when they dressed for the original event. Boohoo isn’t the only one—the likes of SHEIN and Temu have festival fashion filters, categories or tags on their websites, too.

Most items from these brands are manufactured at an alarming rate with little regard for people or the planet, and are destined to fall apart before next year’s festival rolls around. And that’s another issue—the lack of longevity in these clothes means they quickly end up in landfill, and so the cycle repeats, and more ‘festival clothes’ are consumed.

Cultural appropriation in festival fashion

The clothes worn by Woodstock attendees could undoubtedly be considered culturally appropriative today—there was an abundance of prints and fabrics from India, and beaded fringed clothes, like the jacket Jimi Hendrix famously wore, which connoted Native American dress. But as festival style has become increasingly popular in the last two decades, the misuse of cultural symbols and crafts has reached new and more overt levels.

One of many examples of cultural appropriation in festival attire is feather headdresses, which have become notably associated with the trend. But this style of headwear—also called a war bonnet—holds great spiritual and political importance in several Native American communities, including Cheyenne and Lakota. For a non-Native person to wear it as a costume at the profit of a fast fashion corporation is considered deeply offensive and only perpetuates colonialistic and oppressive attitudes towards Native American communities.

Some organisers are taking action to limit cultural appropriation within their festivals—after a petition in 2014, Glastonbury added Native American-inspired headdresses to its list of prohibited items for traders. Another UK festival, Shambala, has issued guidance on avoiding cultural appropriation at its event, particularly concerning fashion.

And while festival attendees are more clued up about this than ever before, fast fashion brands continue to churn out appropriative styles for entertainment and dress-up purposes, with little consideration for their origins or the people they might hurt in the process. Ultra fast fashion brand Temu, for instance, currently offers Native American-inspired beaded and feathered garments—and even headdresses—as festival attire.

How to dress more sustainably for festivals

All this isn’t to say that you can’t wear a pair of flares to a festival. But it’s important to keep in mind the trend’s origins and current landscape of overconsumption and cultural appropriation. If you’re planning to attend a festival this summer or are inspired by the late 1960s aesthetic that influenced Woodstock, then there are a few ways to dress more sustainably for it.

Shop your wardrobe

First, look at what’s already in your wardrobe—are there things you can combine or customise to achieve the look you want? If you’re already a 1960s style-connoisseur then you’ll likely have some good options to choose from. If not, then don’t forget that the original festival fashion was rooted in a movement of creativity and acceptance, and while ‘60s looks still play a key role in the trend, in modern times festival style should be considered as an opportunity to mix things up and try fun—perhaps unconventional—outfits, whether they hark back to the era or not.

Find second-hand options

We highly recommend heading to second-hand and vintage shops before buying new things. This is a great option for shopping more sustainably because you’re diverting clothes from landfill and giving them a second life, but also from an all-round perspective—you’re more likely to turn up to the event in something no one else is wearing, and perhaps even something from the 1960s itself.

And remember: wherever you find your festival clothes, take care to consider the meaning of the items you wear. Ask: What is the original purpose of the item? What would it mean to take the item out of this context? Have the people whose culture from which the item originates directly benefitted from its purchase?

Buy from ‘Good’ or ‘Great’ brands

Lastly, if you do decide to buy something new, make sure that it’s from brands working in a more sustainable way than the fast fashion giants we mentioned above. Below, we’ve listed some brands rated ‘Good’ and ‘Great’ in our directory that have been popular with readers for festivals. Our suggestions include brands making durable bags that’ll hold everything you need for a day in a field, robust boots comfortable enough to stand (and dance) all day in, and items that will keep you dry if the weather takes a turn for the worst.

The post Festival Style, Done More Sustainably appeared first on Good On You.

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Grant funding open for sustainable organisations

Grant funding open for sustainable organisations

Submissions are open for the annual Canon Oceania Grants program. The 2025 program provides $40,000 in grants to support community organisations across Australia and New Zealand.

The program supports community groups to share their stories, foster understanding and strengthen their impact. Canon will award grants across the categories of Education, Community, Environment and First Nations (AU)/Cultural (NZ).

The Canon Oceania Grants program aims to empower community groups with the technology and resources they need to tell and amplify their stories to make a greater impact.

“Canon Oceania is proud to support the incredible work of grassroots organisations across New Zealand. Guided by our Kyosei philosophy of living and working together for the common good, our belief in the role communities play as the fabric of our society is deeply embedded in everything we do,” said Kotaro Fukushima, Managing Director for Canon Oceania. “Our Grants Program aims to empower these groups to achieve their goals and make a real difference in the lives of others. By providing access to technology and funding, we hope to help them amplify their impact and create positive change in our society.”

The 2025 grants will be awarded under the following categories:

Community Grant — open to organisations with their community at the heart of what they do, ranging from not-for-profits to grassroots groups.
Education Grant — open to schools and other educational centres for both children and adults.
Environment Grant — open to not-for-profits and organisations dedicated to raising awareness of the protection of the environment or promoting sustainable practices.
First Nations/Cultural Grant — open to First Nations community groups and organisations. It was launched for the first time in 2024.
 

Each grant awards the recipient with AU$5000 ($2500 cash and $2500 in Canon products).

Over the last 19 years, the Canon Oceania Grants program has provided support to over 120 community organisations and schools across Oceania, with more than $600,000 in monetary and product support. Its annual grants program helps provide not-for-profits with funding and the latest cameras, printers and storytelling gear to share their stories and amplify their voices.

Canon continued its partnership with 2018 Environment Grant winner, Rainforest Rescue, supporting its work in restoring the NightWings area of the Daintree Rainforest, helping to replant native trees and protecting the diverse wildlife habitat.

“There is immense power in an image, especially to engage and educate people, here in Australia and all over the world, about the work we do to restore the rainforest. When people can’t come to the Daintree, it’s important to be able to bring it to them,” said Kristin Canning, Partnerships Director for Rainforest Rescue. “If we didn’t have community engagement, we wouldn’t be able to do this work that is so vital to what we do. The Canon Oceania Grant has empowered us to invite people into the soul of what we do.

“The Canon Oceania Grant has also given us high-quality imaging to so we can study the species we find and ensure that what we’re looking at is what we think it is. It gives us confidence to know that we’re achieving our biodiversity objectives and doing the right thing by the rainforest and the wildlife here.”

Canon also continues to support The Reconnect Project, the 2024 Community Grant winner, in its mission of community empowerment.

“Winning the Grant from Canon has allowed us to up our game professionally in terms of the types of messages that we can communicate and the look and the appeal of those messages,” said Annette Brodie, Founder and CEO for Reconnect Project.

“With professional equipment, we’re able to record high-quality training videos and information about our services, we’re able to interview our case workers that are providing devices to clients and getting their stories. And that then helps us to spread our message to a wider audience, and particularly to corporates who might be looking to donate their decommissioned tech.”

Submissions are open now via the Canon website. The wider community will vote on finalists in August, and winners will be announced in September.

Image caption: The 2024 Education Grant winner, Farm My School.

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