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Aman Khanna’s Cast of Clay Personalities Meet at the Corner of Form and Function

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11 Dec, 2024

This post was originally published on Colossal

Aman Khanna’s symbolic ceramic sculptures, referred to as Claymen, are hand-crafted in New Delhi by the artist and a team of assistants. With emotive faces and an approachable aura, the figures evoke the human condition, non-binding to any gender and representing the universal act of introspection.

Refined and unembellished heads are a recurring motif within Khanna’s work. “I have always been fascinated by human psychology—the thoughts, emotions, and behaviors that define us,” the artist shares. “Heads are not just a vessel for thoughts and feelings but also encompass the face, which is how we recognize and connect with one another.”

an ivory water fountain in the shape of a spherical head and circular basin sits among plants
“Blown Away”

In recent works, Khanna’s minimalist clay characters take on different roles associated with everyday functionality. For instance, the artist shares that the series of Headrest stool sculptures “double as a seat and a metaphor for pausing and relieving the burden of modern life.” Split Head Light and Table, vases within Blob Set, and Super Moon Lamps are all examples of practicality converging with aesthetics.

You can discover more on the Claymen studio’s website, as well as Instagram.

minimalist rotund heads sit atop short columns that get narrower toward the top.
“Super Moon Lamps”
an ivory head is cut in half. the bottom half rests on the floor and acts as a table, and the top half is suspended right above, acting as an overhead light.
“Split Head Light and Table”
six heads in hues of ivory, sage green, and orange take the form of spherical seats
“Headrest Stools”
a grid of sixteen small figurines of expressive ceramic faces with limbs, hung on the wall in shades of ivory and terracotta. though they look similar, each dons its own unique feature
“All is Swell”
two ceramic figures sit with a functional tray encircling their heads.
“Serving Hope”
serving bowls shaped like heads in pastel hues hold cooked food inside.
“Serving Heads”
six small figurines of expressive ceramic faces with limbs. though they look similar, each dons its own unique feature
Characters from “All is Swell”
minimalist rotund heads sit atop both tall and short columns that get narrower toward the top.
“Super Moon Lamps”
two ceramic figures stand with their arms carrying a functional tray above their heads.
“Hands-On Servers”
four lamps with openings that look like a creatures mouth.
“Humble Table Lamps”
five heads in hues of ivory, sage green, and orange take the form of spherical seats, two individuals rest upon them
“Headrest Stools”

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Land water loss causes sea level rise in 21st century

Land water loss causes sea level rise in 21st century

An international team of scientists, led jointly by The University of Melbourne and Seoul National University, has found global water storage on land has plummeted since the start of the 21st century, overtaking glacier melt as the leading cause of sea level rise and measurably shifting the Earth’s pole of rotation.

Published in Science, the research combined global soil moisture data estimated by the European Centre for Medium-Range Weather Forecast (ECMWF) Reanalysis v5 (ERA5), global mean sea level measurements and observations of Earth’s pole movement in order to estimate changes in terrestrial (land) water storage (TWS) from 1979 to 2016.

“The study raises critical questions about the main drivers of declining water storage on land and whether global lands will continue to become drier,” University of Melbourne author Professor Dongryeol Ryu said.

“Water constantly cycles between land and oceans, but the current rate of water loss from land is outpacing its replenishment. This is potentially irreversible because it’s unlikely this trend will reverse if global temperatures and evaporative demand continue to rise at their current rates. Without substantial changes in climate patterns, the imbalance in the water cycle is likely to persist, leading to a net loss of water from land to oceans over time.”

Between 2000 and 2002, soil moisture decreased by around 1614 gigatonnes (1 Gt equals 1 km3 of water) — nearly double Greenland’s ice loss of about 900 Gt in 2002–2006. From 2003 to 2016, soil moisture depletion continued, with an additional 1009 Gt lost.

Soil moisture had not recovered as of 2021, with little likelihood of recovery under present climate conditions. The authors say this decline is corroborated by independent observations of global mean sea level rise (~4.4 mm) and Earth’s polar shift (~45 cm in 2003–2012).

Water loss was most pronounced across East and Central Asia, Central Africa, and North and South America. In Australia, the growing depletion has impacted parts of Western Australia and south-eastern Australia, including western Victoria, although the Northern Territory and Queensland saw a small replenishment of soil moisture.

Image credit: iStock.com/ZU_09

In Vivid Reliquaries, Stan Squirewell Layers Anonymous Portraits and Patterned Textiles

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Through intimate, mixed-media collages, Stan Squirewell excavates the stories of those who might otherwise be lost in anonymity.
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