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Visit Tamara de Lempicka’s First U.S. Retrospective in San Francisco This October

14 Aug, 2024

This post was originally published on Colossal

“Young Girl in Green (Young Girl with Gloves)” (c. 1931), oil on board, 24 1/4 x 17 7/8 inches. Digital image © CNAC/MNAM, Dist. RMN-Grand Palais / Art Resource, New York, courtesy of Centre Pompidou, Paris. All images © 2024 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY, shared with permission

Nearly one hundred years after Tamara de Lempicka (1894-1980) first exhibited her work in San Francisco, a sweeping survey of the storied and glamorous artist opens again in the city. This October, at the de Young—part of the Fine Arts Museums of San Francisco—the show marks the artist’s first U.S. retrospective and illuminates new details about her life.

de Lempicka’s bold, stylized figures have become synonymous with the 1920s, an era characterized by opulence, sophistication, and youthful optimism. She incorporates Art Deco design elements, like geometric facets, tonal contrasts, and city architecture framing idealized faces and flowing, fashionable garments. She sought to create recognizable paintings with a freshness and clarity that set them apart from what she called the “banality” of art she saw around her. And among other Art Deco-era painters like Diego Rivera or Rockwell Kent, who often painted large murals featuring crowds of people, de Lempicka distinguished herself by focusing predominantly on portraits.

The artist’s early life has long been a source of fascination. For years, she was thought to have been born Tamara Rozalia Gurwik-Górska in 1894—although she claimed variously that she was born in 1898, 1900, and 1902—but recent research reveals her birth name was Tamara Rosa Hurwitz. She moved to Saint Petersburg, where she married a prominent Polish lawyer named Tadeusz Łempicki, and then traveled to Paris, where she studied painting. “At the beginning of her career, de Lempicka chose to sign her works using the male declination of her surname, ‘Lempitzky,’ effectively disguising her gender and adding to the confusion surrounding her origin story,” says an exhibition statement.

By 1928, de Lempicka had become the mistress of Baron Raoul Kuffner de Dioszegh, a wealthy art collector, and she divorced from Łempicki in 1931. When Kuffner’s wife died, the artist married Kuffner, and she became known in the press as “The Baroness with a Brush.” The couple moved to the U.S. in 1939, and although her work fell out of fashion during World War II, a 1960s revival of Art Deco style ushered in a comeback. She eventually moved to Mexico in 1974, where she died in 1980.

More than 120 of de Lempicka’s works will go on view in San Francisco, including her most celebrated portraits, early experimental still lifes, rarely seen drawings, and a selection of Art Deco objects from the Fine Arts Museums’ collection. Tamara de Lempicka runs October 12, 2024, to February 9, 2025, after which it will travel to the Museum of Fine Arts, Houston, from March 9 to May 25. Find more on the de Young’s website.

 

a portrait of a woman rendered in Art Deco style, wearing a white dress and grapes in her red curly hair

“Brilliance (Bacchante)” (c. 1932), oil on panel, 14 1/4 x 10 5/8 inches. Image courtesy of Rowland Weinstein, Weinstein Gallery, San Francisco

a portrait of a woman rendered in Art Deco style of a man wearing a black trench coat and a white scarf, with an abstracted city skyline in the background

“Portrait of a Man (Thadeusz Łempicki) or Unfinished Portrait of a Man,” (1928), oil on canvas, 51 x 31 7/8 inches. Image courtesy of Centre Pompidou, Paris

a still life of calla lilies and an ornate tabletop mirror

“Arums” (1935), oil on canvas, 25 7/8 x 19 3/8 inches. Image courtesy of Centre Pompidou, Paris

a double portrait of a two woman standing next to each other, one with very long wavy hear and both wearing blue dresses in different shades, looking off to their left

“Irene and Her Sister” (1925), oil on canvas, 57 1/2 x 35 1/16 inches. Image courtesy of Irena Hochman Fine Art Ltd., New York

a portrait of a woman rendered in Art Deco style, wearing a red and white sweater and standing in front of a snowy mountain landscape

“Saint-Moritz” (1929), oil on panel, 13 3/4 x 10 5/8 inches. Image courtesy of Musée des Beaux-Arts d’Orléans, © Banque d’Images, ADAGP / Art Resource, NY

a portrait of a woman rendered in Art Deco style, shown lounging with a large bouquet of flowers in a white dress, with a red stole

“Portrait of Ira P.” (1930), oil on panel, 39 3/8 x 25 9/16 inches. Image © 1969 Christie’s Images Limited

a black-and-white photograph of Tamara de Lempicka painting a portrait of her husband, Tadeusz de Łempicki

Thérèse Bonney, “Tamara de Lempicka working on ‘Portrait of Tadeusz de Łempicki’” (c. 1929), gelatin silver print, 9 3/8 x 7 inches. Image © The Regents of the University of California, The Bancroft Library, University of California, Berkeley

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Reaching net zero in the manufacturing sector

Reaching net zero in the manufacturing sector

In order for Australia to reach its goal of net zero by 2050, it needs the help of its manufacturing sector, which accounts for 10% of the nation’s carbon emissions. And the sector is pulling its weight, the Western Sydney Manufacturers Forum heard recently — developing ‘green concrete’, carbon-tracking sensors and technology which can minimise carbon emissions during beer fermentation.

More than 30 experts from universities, industry and government described multiple ways sustainability can deliver real-world impact, cost savings and market differentiation for manufacturers. The forum heard many examples, including an opportunity to reduce emissions from concrete production — which contributes around 8% of global carbon emissions, or more than aviation and shipping combined.

Professor Olivia Mirza from Western Sydney University described the initial pushback to the use of ‘green concrete’ — an eco-friendly alternative which is produced using waste materials — in the Parramatta Light Rail project.

“The initial cost for building [the light rail using green concrete] was let’s say 10 or 12% higher, but then if you do the cost-benefit analysis — less maintenance — it ended up saving 25%,” Mirza said.

The forum highlighted the importance of clear communication and education, suggesting the use of modern formats like social media platform TikTok to effectively engage different stakeholders, especially in the trades, around decarbonisation in building materials.

The aim of the event — hosted by the NSW Smart Sensing Network and the NSW Decarbonisation Innovation Hub at Penrith Panthers — was to showcase opportunities and help manufacturers and their supply chain navigate new emissions reporting requirements.

Dr Martin Ams, a product engineer at Macquarie University, said innovative optical fibre sensors are helping utilities like Sydney Water contribute to net zero by predicting concrete corrosion in wastewater infrastructure.

“Over time, concrete can actually capture and remove CO2 directly from the atmosphere through a process known as carbonation,” he said. “If you have concrete structures that are absorbing CO2 from your atmosphere, you want them to last long so you can keep absorbing this CO2.”

Dr Victor Hernandez Moreno from the UTS Centre for Advanced Manufacturing described how advanced automation and ‘digital twin’ technology can drive more sustainable production decisions for manufacturers. His team operates two mirrored beer-brewing facilities — in Sydney and Germany — that share a unified digital twin, allowing them to analyse data, enhance product quality and reduce carbon emissions.

Keynote speaker and Climate Change Authority Chair Matt Kean said advanced manufacturing in Western Sydney is poised to lead Australia’s decarbonisation efforts by electrifying industrial processes, improving energy efficiency and producing green materials like hydrogen.

“The [Authority’s] Sector Pathways Review revealed that Australia has a great shot at crafting the products, goods and services that will be in high demand,” Kean said. “As the world shifts to net zero, we must be prepared to back our entrepreneurs and innovators and remove policy and regulatory barriers that inhibit progress.”

Kean said products like renewable hydrogen, green ammonia and green metals were essential to reimagining Australian industry. “Importantly, they’re going to be in hot demand, not just domestically, but right across the globe.”

NSW Net Zero Commission principal advisor Manuel Weirich said there is lots of opportunity to reduce emissions in light industry such as manufacturers and smaller processors, which emit 45% of NSW industry emissions.

“These emissions come from things like burning gas in boilers, from engines and motors, chemical processes, calcination in bricks or in cement, and lots of other things,” Weirich said. “Some of the processes are difficult to decarbonise, but others already have solutions available … including heat pumps for water heating, electric forklifts, and better energy efficiency.  

“Manufacturing has a big role to play, to produce the clean materials, the low-emissions materials, and the products and machinery that other sectors use to decarbonise themselves.”

NSW Chief Scientist Hugh Durrant-Whyte said with investment in R&D, skills, digitisation and real-time data, and by preparing for mandatory reporting, Australia can build resilient supply chains and drive sustainable, high-value growth across all business sectors. 

“Digitisation will help identify gaps, improve performance and address skill shortages — especially in hard-to-abate industries,” Durrant-Whyte said. “Achieving net zero will benefit everyone. Small businesses can cut energy costs and preserve expertise through digitisation. Medium businesses can scale up and strengthen supply chains. Large corporations will streamline compliance, meet stakeholder expectations and drive sustainable growth.”

The Executive Director of the Advanced Manufacturing Readiness Facility (AMRF), Ben Kitcher, described how his organisation helps manufacturers adopt technologies that help them become profitable and sustainable.

“What we’re discovering is there is this mutual objective around decarbonisation which always leads back to productivity and profitability,” Kitcher said.

The forum heard that while digital literacy is strong among younger generations, manufacturing still suffers from outdated perceptions. It heard how SMEs in Western Sydney can stay competitive by embracing digital transformation, sustainability and circular economy principles. SMEs are also facing ongoing challenges in resourcing innovation and workforce development, but programs like CSIRO’s Generation STEM are stepping in with practical support through paid internships and university and industry talent matching.

“We have a lot of SMEs that come to us and say their challenge is recruitment and retention, but sometimes we’ve got some SMEs that come to us and say they don’t have the time to do this piece of work,” Generation STEM team leader Luana Caro said.

Chovil & Thake sustainability marketing specialist Hannah Welch said 45% of Australians always or often consider sustainability as part of their purchasing decision-making. She said manufacturers can leverage environmental, social and governance (ESG) data not just for compliance, but as a strategic marketing tool to attract investors and recruit staff.

Andrew Bedrossian, Manager of Renewable Manufacturing at the NSW Department of Climate Change, Energy, the Environment and Water (DCCEEW), said the Net Zero Manufacturing Initiative supports clean technology innovation and low-carbon product manufacturing, with particular focus on revitalising local solar manufacturing. He said there is growing industry appetite and significant investment interest, especially from Western Sydney manufacturers, pointing to strong potential for scale-up and impact.

“We have the world-leading IP here with some of the best brains in the business when it comes to solar,” Bedrosian said. “All the commercial windfalls are offshore. We don’t have anything here, and that’s a real shame. How can we change that?”

Image caption: Climate Change Authority Chair Matt Kean delivered the keynote speech at the Western Sydney Manufacturers Forum. Image credit: AM Visuals.

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